Hi out there! Creating a few poison apples (hand sculpted out of clay) in various sizes for upcoming shows. I’m been playing around with some different colors. I do love these! Vibrant, candy coated colors!
Wishing you a sweet day!
Creature Constant, the on-going #art show at our gallery, displays a range of surreal #sculptures made in metal, terracotta and lime plaster. The series named asura (deity) also features many #abstract#drawings which the artist made during the ideation of the sculptures.
The show continues till 10th May, come visit anytime between 11 am to 7 pm, Mon to Sat
B) Poster ‘vormcorrectie’. That new plan chest brings so much joyful moments back :) Here’s another poster from way backs designed by ‘Kamer 109’ design collective (Barb Peerdeman and me) for a Sophie’s Palace ‘Gallerij’ art show. With Oskar de Kiefte and Jerome Hoogstraten. Typeface is Trade Gothic (Jackson Burke). One spot colour blue (P288).
𝗖𝗼𝗺𝗲 𝗝𝗼𝘂𝗻 𝗨𝘀 Tonight for a fantastical art exhibition of street art, graffiti art and sci-fi art by @henningfeil aka 𝗡𝗢𝗥𝗕𝗘𝗥𝗧 3000! The exhibit features new original artworks and exclusive items from this wildly popular and eccentric artist from Germany traveling through the galaxies.
Meet the artists's alter ego Norbert 3000 who will be landing for a special interactive live performance at 8pm!
Getting ready for a summer of making art? Why not apply to new Hackney Wick Residency Project with Carpenters Wharf Studios? 8 Studios available for artists of all mediums and practises - plus applications now open for Gallery Curator! Deadline 06/05 visit link in bio for more info!
2019 YILI VE HER YIL SANAT ADINA YAPTIGIMIZ HİZMETİN DAİM VE BASARİLİ OLMASİ DİLEGİMLE...
20 Mayıs - 30 Ekim tarihlerinde D-Marin Turgutreis Yat Club'da yapilacak olan 2019 yili sergilerine katilmak isteyen sanatcilarimiz 0532 2214994 (Yurdagül Arslan) nolu telefondan ulasarak ayrintili bilgi alabilirsiniz.
Multidisciplinary Artist |
I invite you to visit & explore my new website 2019
Link in bio: www.matiaskritz.com
Kritz is a young veteran to the art world having exhibited and collaborated with his work internationally since 1989. His academic and professional achievements are manifold and defy a single genre -spanning from photographic essays, academic writings, and cutting edge experiential visual art projects. Kritz’s ceaseless experimentation and intersecting interests translate to a singular richness in his photographic work.
Publishings: “Movement and Pictorial Space, The Video Beauty”; National University of La Jolla, California, University of Phenomenology & Media, Mexico City, and in the Universities Albert Ludwing and Hochschule Furtwagen, Germany. Dr. Alberto J. L. Carrillo Canán, Luis R. Vera Chaparro. Numerous pieces in photography magazines and other media.
Select solo exhibitions: Museum Evita (2013), Museum Emilio Caraffa (2014), Decorative Arts National Museum (2015), Buenos Aires Photo Opening Show (2015), Palacio Duhau, Park Hyatt (2015), Gallery Nights Buenos Aires (2016)
Commissioned based photo assignments for International Foundation Jorge Luis Borges, Legislature of Buenos Aires, and acclaimed series for renown Mental Health Hospital Braulio Moyano (Buenos Aires, Argentina) among others.
Mr. Kritz collaborated with the artist Angelo Musco in his photography project: “Sanctuary”, New York (2016) and in the soundtrack of the film Conception alongside Giulio Carmassi -Pat Metheny’s pianist.
Winner of the Golden Medal to Architecture ; Interior Design CASA FOA 2015 (Buenos Aires, Argentina) for his use of digitally printed porcelain in experiential space.
Hilma af Klint: Paintings for the Future .
When Hilma af Klint began creating radically abstract paintings in 1906, they were like little that had been seen before: bold, colorful, and untethered from any recognizable references to the physical world. It was years before Vasily Kandinsky, Kazimir Malevich, Piet Mondrian, and others would take similar strides to rid their own artwork of representational content. Yet while many of her better-known contemporaries published manifestos and exhibited widely, af Klint kept her groundbreaking paintings largely private. She rarely exhibited them and, convinced the world was not yet ready to understand her work, stipulated that it not be shown for twenty years following her death. Ultimately, her work was all but unseen until 1986, and only over the subsequent three decades have her paintings and works on paper begun to receive serious attention.
MANNEQUIN ROW - @julievriesinga set 1
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(289) 805-4772 ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
Silas Tsang id code: st
Norm Wright id code: nw
Julie Vriesinga id code: JV
Adrian Carew id code: ac