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Slow bass line over two bars, same notes but the last two notes are up the octave in the second bar. In my head the harmony goes A- to F in the first bar, G to A- in the second, with the higher octave voicing helping to shift the gravity.
Maybe that's just my ears, but small choices on the bass can transform harmonic structures (implied or otherwise) and it is worth keeping track of effective approaches to doing so.