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cultmovies - 83.9k posts

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  • Glenn Close and Michael Douglas rehearsal a scene for disturbing Fatal Attraction (1987), psychologic thriller directed by Adrian Lyne
  • Glenn Close and Michael Douglas rehearsal a scene for disturbing Fatal Attraction (1987), psychologic thriller directed by Adrian Lyne
  • 265 25 5 January, 2019
  • Gregory Hines and Mikhail Baryshnikov dancing in White Nights (1985) ⭐️
  • Gregory Hines and Mikhail Baryshnikov dancing in White Nights (1985) ⭐️
  • 271 9 31 January, 2019
  • Tell me about it, stud 🍒
  • Tell me about it, stud 🍒
  • 8,654 52 3 March, 2019

Latest Instagram Posts

  • FILM & REVIEW 
If there is anything certain about Luca Guadagnio’s remake of Suspiria, it is how he builds on the unique mythology of Dario Argento’s Giallo classic. Twisted and contorted - much like an unforgettable scene at the dance academy’s locale - in this version the female body is seen as something almost at war with itself; an anatomic battlefield or division of warring factions during 70s Berlin where it even hints at holocaust imagery and the eternal suffering of the human soul. Life, death…rebirth; there is the hint of something ethereal but contrasted by more brutal imagery as Dakota Johnson’s central character, Susie, (literally) blossoms into womanhood. Women convulse, contort, break, explode and literally bend over backwards for their peers and inevitable replacement at the foot of their warped idols. The absence of man is also punctuated by one of Tilda Swinton’s triple roles in the film as the curious Doctor Kemperer. The symbolism is both explicit and subtle as the witches hook their prey with what resemble chrome ribs - perhaps a nod to Adam’s own plucked from his side to create Eve?

At 2 and a half hours the film overstays its welcome and unfortunately detracts from its artistry where the visuals presented are a heady mix of hysteria, dread, panic, terror and disgust immersed in Thom Yorke's stunning soundtrack. For all its faults though, what we are left with is an interesting essay on femininity and beauty; how women are held on such a high pedestal to ‘perform’ and fit into an idealism while not being afraid to show how women can destroy each other in their search for perfection. Whether spellbound by its set pieces or captivated by the artistry...be warned, because by the end all that is left is misery. - Rich @filmnthat #film #films movie #movies #filmreview #filmreviews #review #reviews #moviereview #moviereviews #cult #cultfilm #cultfilms #cultcinema #cultmovie #cultmovies #filmcollector #filmcollection #moviecollector #moviecollection #cinephile #giallo #horror #horrorfilm #horrorfilms #horrormovie #horrorfilms
  • FILM & REVIEW
    If there is anything certain about Luca Guadagnio’s remake of Suspiria, it is how he builds on the unique mythology of Dario Argento’s Giallo classic. Twisted and contorted - much like an unforgettable scene at the dance academy’s locale - in this version the female body is seen as something almost at war with itself; an anatomic battlefield or division of warring factions during 70s Berlin where it even hints at holocaust imagery and the eternal suffering of the human soul. Life, death…rebirth; there is the hint of something ethereal but contrasted by more brutal imagery as Dakota Johnson’s central character, Susie, (literally) blossoms into womanhood. Women convulse, contort, break, explode and literally bend over backwards for their peers and inevitable replacement at the foot of their warped idols. The absence of man is also punctuated by one of Tilda Swinton’s triple roles in the film as the curious Doctor Kemperer. The symbolism is both explicit and subtle as the witches hook their prey with what resemble chrome ribs - perhaps a nod to Adam’s own plucked from his side to create Eve?

    At 2 and a half hours the film overstays its welcome and unfortunately detracts from its artistry where the visuals presented are a heady mix of hysteria, dread, panic, terror and disgust immersed in Thom Yorke's stunning soundtrack. For all its faults though, what we are left with is an interesting essay on femininity and beauty; how women are held on such a high pedestal to ‘perform’ and fit into an idealism while not being afraid to show how women can destroy each other in their search for perfection. Whether spellbound by its set pieces or captivated by the artistry...be warned, because by the end all that is left is misery. - Rich @filmnthat #film #films movie #movies #filmreview #filmreviews #review #reviews #moviereview #moviereviews #cult #cultfilm #cultfilms #cultcinema #cultmovie #cultmovies #filmcollector #filmcollection #moviecollector #moviecollection #cinephile #giallo #horror #horrorfilm #horrorfilms #horrormovie #horrorfilms
  • 22 0 10 hours ago
  • Today's minimalist poster is dedicated to Widows.

Fun Fact: According to Steve McQueen, the first cut of the film was closer to 3 hours long.

What poster from my feed, did you like the most? Comment here or DM me!

If you like my work, please tell your friends about this page! I'd really appreciate it! If you want custom work done, I do undertake commissions. Please DM or Email me.

Prints available in the store! Hit the Link in Bio! 
Double tap! Tag a fan! Follow @popatemedia for more!

Also Follow us on Facebook: @popatemedia.
  • Today's minimalist poster is dedicated to Widows.

    Fun Fact: According to Steve McQueen, the first cut of the film was closer to 3 hours long.

    What poster from my feed, did you like the most? Comment here or DM me!

    If you like my work, please tell your friends about this page! I'd really appreciate it! If you want custom work done, I do undertake commissions. Please DM or Email me.

    Prints available in the store! Hit the Link in Bio!
    Double tap! Tag a fan! Follow @popatemedia for more!

    Also Follow us on Facebook: @popatemedia.
  • 109 1 14 hours ago
  • Achtung❗️Iron Sky The Coming Race invading central Europe! 🇩🇪&🇨🇭in cinemas TODAY, 🇦🇹 in cinemas TOMORROW! 🙌🥳🦖
  • Achtung❗️Iron Sky The Coming Race invading central Europe! 🇩🇪&🇨🇭in cinemas TODAY, 🇦🇹 in cinemas TOMORROW! 🙌🥳🦖
  • 293 26 14 hours ago
  • My forever fave tee. ✨
  • My forever fave tee. ✨
  • 103 2 16 hours ago