This #TBT is an anniversary celebration. Did anyone say party? That’s right, it’s 1️⃣0️⃣ years ago that I first started working with Joe Bonamassa and it took place, no less than at the Royal Albert Hall. I remember that day as if it were yesterday. As per usual I ran all over the place to get the best angles, the most expressive shots, capture the man in action. Since it is my standard M.O. to only move location between songs so not to disturb punters, I remember that it threw me off a bit that some of his songs are longer than normal. I learned the hard way to be ready for whatever Joe throws at me. See, at the beginning of his set I was positioned, kinda awkwardly, on my knees in front of the stage behind the roving film cameras which were filming the show for a DVD. Behind me was the front row of punters. It wasn’t the most comfortable of positions but I would manage for a short stint while getting the required close-ups. After a good 4 minutes I was ready to get up but Joe wasn’t finished yet and my position became quite uncomfortable to say the least. I couldn’t move really as there was no room to move so the only thing I could do is sit still and wait patiently for the song to end. When the song was finished I jumped up only to find my foot had gone all numb and I kinda had to hop away on one foot and down the stairs to the corridor where I dramatically tried to resuscitate my foot. Since our debut 10 years ago, I’ve worked with Joe 42 times and each and every one of them has been equally special in my memories. What I admire about him is that he doesn’t show any fear when attacking a song, whether it be a heavy and fast paced strumming or a delicate piece that makes you go all quiet. Joe’s back at the Royal Albert Hall and so am I. Here’s to the next 10 years @joebonamassa🥂and my 228th shoot at that magnificent Hall! I’ll be expecting cake with candles! 😜 #capturethemoment#insta#instagram#photography#london#blues#guitar#concert#livemusic#anniversary#10 www.christiegoodwin.com
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