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  • Blood Incantation isn’t a breath of fresh air but a new compelling vision of possibilities. Last year I took a flight to Norway to see them play @beyond_the_gates_festival and they did not fail my expectations. The show was sick🗡 Blood Incantation's musicianship between all of it's 4 members is insane. These guys really know how to write technical/progressive death metal like no one else in the genre then or now🗡If their debut full-length, “Starspawn”, is without question one of the best death metal records of the decade, 2019 brings us the band’s much-awaited follow-up, “Hidden History of the Human Race” 🗡From the neck-breaking speed, slams, and sheer aggression of the opening track “Slave Species of the Gods”, it is immediately obvious that they have succeeded in making an album even more powerful and diverse than the previous one. “Hidden History of the Human Race” is only 4 long songs, but every moment shifts and whips like a cosmic horror psychedelic experience that barely allows the listener to hang to a secure position of certainty🗡With cryptic, ethereal lyrics and classic 1970s artwork by Sci-Fi god Bruce Pennington, “Hidden History of the Human Race” is both an analysis on the Nature of human nature, and a incursion into the realms of Progressive, Brutal & Atmospheric Death Metal.🗡I’ve always been a big collector and fan of fanzines. When I found the insert inside the vinyl I went crazy. This is another reason why I like Blood Incantation. In this era where the internet reigns supreme they do not forget the past🗡These guys are a part of what the Death Metal world has needed for the past few years. A band that would shake things up a bit, kick the border of it. I am still absolutely impressed by this group of musicians that have the ability to consistently create engaging and original music. In 2019, Blood Incantation has the merit of keeping death metal alive, interesting but especially honest 🗡
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#bloodincantation #hiddenhistoryofthehumanrace #deathmetal #darkdescentrecords #centurymedia #vinyl #vinylcommunity #deathmetalvinyl #vinylcollector #vinyligclub #extremevinyl #evilgreed #vinylrecords #metal #metalhead
  • Blood Incantation isn’t a breath of fresh air but a new compelling vision of possibilities. Last year I took a flight to Norway to see them play @beyond_the_gates_festival and they did not fail my expectations. The show was sick🗡 Blood Incantation's musicianship between all of it's 4 members is insane. These guys really know how to write technical/progressive death metal like no one else in the genre then or now🗡If their debut full-length, “Starspawn”, is without question one of the best death metal records of the decade, 2019 brings us the band’s much-awaited follow-up, “Hidden History of the Human Race” 🗡From the neck-breaking speed, slams, and sheer aggression of the opening track “Slave Species of the Gods”, it is immediately obvious that they have succeeded in making an album even more powerful and diverse than the previous one. “Hidden History of the Human Race” is only 4 long songs, but every moment shifts and whips like a cosmic horror psychedelic experience that barely allows the listener to hang to a secure position of certainty🗡With cryptic, ethereal lyrics and classic 1970s artwork by Sci-Fi god Bruce Pennington, “Hidden History of the Human Race” is both an analysis on the Nature of human nature, and a incursion into the realms of Progressive, Brutal & Atmospheric Death Metal.🗡I’ve always been a big collector and fan of fanzines. When I found the insert inside the vinyl I went crazy. This is another reason why I like Blood Incantation. In this era where the internet reigns supreme they do not forget the past🗡These guys are a part of what the Death Metal world has needed for the past few years. A band that would shake things up a bit, kick the border of it. I am still absolutely impressed by this group of musicians that have the ability to consistently create engaging and original music. In 2019, Blood Incantation has the merit of keeping death metal alive, interesting but especially honest 🗡
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    #bloodincantation #hiddenhistoryofthehumanrace #deathmetal #darkdescentrecords #centurymedia #vinyl #vinylcommunity #deathmetalvinyl #vinylcollector #vinyligclub #extremevinyl #evilgreed #vinylrecords #metal #metalhead
  • 630 6 14 hours ago

Latest Instagram Posts

  • Daily Pickup! De laatste dag is het STOP!  In 1978 ontstond het idee van Peter van Asten en Richard de Bois om een meidengroep te formeren. Angéla Kramers (Sjeel) werd als eerste benaderd door haar dansverleden in het Tros Top-50 ballet en haar met mededanseressen, Anita Heliker, Esther Oosterbeek, en Patty Zomer maakte het viertal compleet.  Hoewel de vier enthousiast waren, hadden ze geen zangervaring en dus werd er gezocht naar iemand die wel zangervaring had. Nou dan is er dus Angela Groothuizen(gezongen bij The Howling Hurricanes en kleinkunst Akamdemie gedaan)en zij werd benaderd om leadzangeres te worden. Aanvankelijk vond Angela een meidengroep à la The Ronettes, niks voor haar. Zij had een ruiger imago dan wat deze heren in gedachte hadden. Angela droeg daarom Ria Brieffies aan, die zangeres was bij The Vips en vooral populaire nummers zong. Ria Brieffies zag het wel zitten en ging kennismaken met de andere vier leden. Angela Groothuizen ging mee met Ria Brieffies, zonder het voornemen mee te doen. Het klikte echter zo goed tussen de zes jonge meiden, waarna Angela  besloot toch mee te doen. Zes leden vonden de producers eigenlijk te veel, maar onder druk van de zes dames stonden ze het toe. De Dolly Dots waren geboren. 
De Dolly Dots scoorden vele hits binnen en buiten Europa. In Japan behaalde zij platina met het nummer 'Radio'. Hun grootste hit in Nederland was 'Love Me Just A Little Bit More'. 1984 was het meest succesvolle jaar voor de meidengroep. Eigenlijk Girl Power avant la lettre. 😉
In 1988 werd bekend gemaakt dat zij uit elkaar gingen en met een afscheidsconcert in Discotheek Escape was het Dolly Dots avontuur voorbij.
In 2016 overleed Dolly Dot Ria Brieffies. Ze waren groot en zijn inmiddels camp.
De afsluiter van de week bij Daily Pickup! STOP uit 1981. De Dolly Dots
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#recordlover #homeaudio #vinyloftheday #recordoftheday #vinyljunkie #turntableporn #plaatjesdraaien #draaitafel #ontheturntable #nowspinning #vinylcollector #linkinbio
#djhanbosman #dollydots #stop @angelagroothuizen #girlpower #avantlalettre
  • Daily Pickup! De laatste dag is het STOP! In 1978 ontstond het idee van Peter van Asten en Richard de Bois om een meidengroep te formeren. Angéla Kramers (Sjeel) werd als eerste benaderd door haar dansverleden in het Tros Top-50 ballet en haar met mededanseressen, Anita Heliker, Esther Oosterbeek, en Patty Zomer maakte het viertal compleet. Hoewel de vier enthousiast waren, hadden ze geen zangervaring en dus werd er gezocht naar iemand die wel zangervaring had. Nou dan is er dus Angela Groothuizen(gezongen bij The Howling Hurricanes en kleinkunst Akamdemie gedaan)en zij werd benaderd om leadzangeres te worden. Aanvankelijk vond Angela een meidengroep à la The Ronettes, niks voor haar. Zij had een ruiger imago dan wat deze heren in gedachte hadden. Angela droeg daarom Ria Brieffies aan, die zangeres was bij The Vips en vooral populaire nummers zong. Ria Brieffies zag het wel zitten en ging kennismaken met de andere vier leden. Angela Groothuizen ging mee met Ria Brieffies, zonder het voornemen mee te doen. Het klikte echter zo goed tussen de zes jonge meiden, waarna Angela besloot toch mee te doen. Zes leden vonden de producers eigenlijk te veel, maar onder druk van de zes dames stonden ze het toe. De Dolly Dots waren geboren.
    De Dolly Dots scoorden vele hits binnen en buiten Europa. In Japan behaalde zij platina met het nummer 'Radio'. Hun grootste hit in Nederland was 'Love Me Just A Little Bit More'. 1984 was het meest succesvolle jaar voor de meidengroep. Eigenlijk Girl Power avant la lettre. 😉
    In 1988 werd bekend gemaakt dat zij uit elkaar gingen en met een afscheidsconcert in Discotheek Escape was het Dolly Dots avontuur voorbij.
    In 2016 overleed Dolly Dot Ria Brieffies. Ze waren groot en zijn inmiddels camp.
    De afsluiter van de week bij Daily Pickup! STOP uit 1981. De Dolly Dots
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    #recordlover #homeaudio #vinyloftheday #recordoftheday #vinyljunkie #turntableporn #plaatjesdraaien #draaitafel #ontheturntable #nowspinning #vinylcollector #linkinbio
    #djhanbosman #dollydots #stop @angelagroothuizen #girlpower #avantlalettre
  • 1 0 3 minutes ago
  • My Record Year - Day 341: Louis Prima and Keely Smith, Part II. In 1959, Prima left Capitol for a more lucrative deal with Dot Records, and took his entire musical franchise with him. This meant not only his group recordings with wife Smith and Sam Butera and the Witnesses, but everyone’s solo LPs as well. The couple’s first Dot LP, “Louis and Keely,” picked up where their Capitol catalog left off. In short order, Dot released a Keely solo LP, “Be My Love,” a greatest hits collection from Louis (re-recordings of his 1930s and 1940s hits), an LP featuring Sam Butera and the Witnesses (Sam deserves - and will get - his own day in the sun this week) and a pair of instrumental LPs titled “Pretty Music - Prima Style, Volumes I & II” (the first had L&K’s daughter Toni joining Louis on the cover). It was a perfect set up, except...it wasn’t. Like Lucille Ball & Desi Arnaz a few years earlier (and for many of the same reasons), the couple’s personal issues scuttled their professional (and highly lucrative) partnership, and the pair divorced in 1961. Solo albums continued for a couple more years (Louis & Keely each recorded a “twist” album, which was probably two too many), and Dot released two pre-divorce live concert recordings, but the magic wasn’t the same. In 1963, Keely moved on to Frank Sinatra’s Reprise label. Louis went back to Capitol for two LPs, including a live concert with Sam, the Witnesses, and his fifth wife, singer Gia Maione, and then created his label based out of his home in Las Vegas. But don’t worry; we’ll cover all that tomorrow. #louisprima #keelysmith #sambutera #rarevinyl #vinyl #rarevinyl #lasvegas #vinylcollection #vinyljunkie #vinylcollector #vinyladdict #myvinylcollection #dotrecords #nowplaying🎧 #nowspinning #neworleans #recordoftheday #1950s #1960s
  • My Record Year - Day 341: Louis Prima and Keely Smith, Part II. In 1959, Prima left Capitol for a more lucrative deal with Dot Records, and took his entire musical franchise with him. This meant not only his group recordings with wife Smith and Sam Butera and the Witnesses, but everyone’s solo LPs as well. The couple’s first Dot LP, “Louis and Keely,” picked up where their Capitol catalog left off. In short order, Dot released a Keely solo LP, “Be My Love,” a greatest hits collection from Louis (re-recordings of his 1930s and 1940s hits), an LP featuring Sam Butera and the Witnesses (Sam deserves - and will get - his own day in the sun this week) and a pair of instrumental LPs titled “Pretty Music - Prima Style, Volumes I & II” (the first had L&K’s daughter Toni joining Louis on the cover). It was a perfect set up, except...it wasn’t. Like Lucille Ball & Desi Arnaz a few years earlier (and for many of the same reasons), the couple’s personal issues scuttled their professional (and highly lucrative) partnership, and the pair divorced in 1961. Solo albums continued for a couple more years (Louis & Keely each recorded a “twist” album, which was probably two too many), and Dot released two pre-divorce live concert recordings, but the magic wasn’t the same. In 1963, Keely moved on to Frank Sinatra’s Reprise label. Louis went back to Capitol for two LPs, including a live concert with Sam, the Witnesses, and his fifth wife, singer Gia Maione, and then created his label based out of his home in Las Vegas. But don’t worry; we’ll cover all that tomorrow. #louisprima #keelysmith #sambutera #rarevinyl #vinyl #rarevinyl #lasvegas #vinylcollection #vinyljunkie #vinylcollector #vinyladdict #myvinylcollection #dotrecords #nowplaying 🎧 #nowspinning #neworleans #recordoftheday #1950s #1960s
  • 2 0 8 minutes ago
  • Still not totally sure if this is a bootleg? I got this at amoeba in San Francisco. It’s a live broadcast of @smashingpumpkins at Del Mar Fairgrounds 10/26/93.
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Side A:
Geek USA
Rocket
Today
Disarm
Side B:————————————————————————
Bury Me
Drown
Hummer
Side C:
————————————————————————
Soma
Siva
Quiet
Side D:
————————————————————————
Cherub Rock
I Am One
Mayonaise
————————————————————————
#smashingpumpkins
#spfreaks #nowspinning #vinyl #vinylcommunity #billycorgan #siamesedream #vinylrecords #vinylcollector #vinyligclub
  • Still not totally sure if this is a bootleg? I got this at amoeba in San Francisco. It’s a live broadcast of @smashingpumpkins at Del Mar Fairgrounds 10/26/93.
    ————————————————————————
    Side A:
    Geek USA
    Rocket
    Today
    Disarm
    Side B:————————————————————————
    Bury Me
    Drown
    Hummer
    Side C:
    ————————————————————————
    Soma
    Siva
    Quiet
    Side D:
    ————————————————————————
    Cherub Rock
    I Am One
    Mayonaise
    ————————————————————————
    #smashingpumpkins
    #spfreaks #nowspinning #vinyl #vinylcommunity #billycorgan #siamesedream #vinylrecords #vinylcollector #vinyligclub
  • 1 0 8 minutes ago
  • John Lennon
「Walls and bridges」1974 rrelease.

昔、ビートルズ大好きの頃はメンバーの誕生日やら命日やらしっかり覚えていたのに今はすっかり忘れてしまいます…😅それだけいろんな音楽に興味を持ち始めたという事でしょう。いい傾向です😊
今日はジョンレノンの命日という事でしたのでこのアルバムを。ジョンレノンのアルバムはイマジンとこれしか持っていません。
このアルバムは「真夜中を突っ走れ」がヒットしましたが、それ以外の曲の方が好きです😊
#johnlennon #vinylcollector #thebeatles #vinylcollection #vinyl #recordcollection #recordcollector #record #lafleuraudio #レコード
  • John Lennon
    「Walls and bridges」1974 rrelease.

    昔、ビートルズ大好きの頃はメンバーの誕生日やら命日やらしっかり覚えていたのに今はすっかり忘れてしまいます…😅それだけいろんな音楽に興味を持ち始めたという事でしょう。いい傾向です😊
    今日はジョンレノンの命日という事でしたのでこのアルバムを。ジョンレノンのアルバムはイマジンとこれしか持っていません。
    このアルバムは「真夜中を突っ走れ」がヒットしましたが、それ以外の曲の方が好きです😊
    #johnlennon #vinylcollector #thebeatles #vinylcollection #vinyl #recordcollection #recordcollector #record #lafleuraudio #レコード
  • 6 0 15 minutes ago